The Tourist Read online

  "If I know the answer, I'll tell you."

  "Fair enough," said the Russian. His face turned bleakly serious: "Where do you suggest I go?”

  “What?"

  "I'm going to have to leave Switzerland soon. Where to? Someplace with a good climate, of course, but someplace where I won't be hounded by German bankers. I thought about your country, but I'm not very positive about Americans these days."

  "How about the Sudan?"

  "Ha!" Ugrimov seemed to find that funny, and Milo realized that there was nothing this man needed from him. He'd shared the story out of spite, nothing more.

  "What about Lewis?" Milo asked. "I imagine you tried to find out who he was, didn't you?"

  "Of course I did. Years ago."

  "And?"

  "And what? Guys like that, they cover their tracks. We came up with a couple names. Herbert Williams, for one, in Paris."

  "Was the other name Jan Klausner?" Milo asked.

  Ugrimov frowned, then shook his head. "No. It was Kevin Tripplehorn."

  "Tripplehorn?"

  The Russian nodded. "There's no telling how many aliases this guy has."

  Tripplehorn, Milo thought, and kept repeating it in his head. That's when he knew. Not everything, not yet, but enough. Kevin Tripplehorn, the Tourist. Tripplehorn, who was also Jan Klausner, Herbert Williams, Stephen Lewis. Tripplehorn, who had posed with Colonel Yi Lien in a photo and floated around Angela Yates in order to spy on her, or incriminate her. Tripplehorn.

  He woke without knowing he'd passed out. Ugrimov, above him, was slapping his cheeks, then tried to feed him some daiquiri. It was too bitter. The back of his head throbbed.

  "You need to take care of yourself, Milo. You can't depend on others to do it for you. My advice? Depend on your family, no one else." Ugrimov stood and called, "Nikolai!"

  Nikolai kept a suspicious eye on Milo as he drove the sick man back to the gate. Milo, in the late stages of shock, kept thinking about Ugrimov's last words. Depend on your family, no one else. It was a curious thing to say.

  Einner, at the gate, stood smoking one of Milo 's Davidoffs, and dropped it to the ground when he saw the Mercedes approaching. When Milo got out, his legs stronger now, Nikolai also got out and pointed at Einner. "You," he said in stiff, angry English. "Don't you litter!"

  38

  On the drive back into town, Einner told him that Geneva was one of his favorite cities. "Have you kept your eyes open? The girls here. I'm in a permanent state of erotic excitement.”

  “Uh huh," Milo said to passing trees.

  "I'll show you. Unless you've got us housebreaking. You don't, do you?"

  Milo shook his head.

  "Fine. We'll get some nightlife, then." The trees gave way to houses as they neared the lake. "You know, you can tell me what happened back there. I'm working with you, after all."

  But Milo didn't speak. It was Tourism, which taught him to measure the number of facts he let loose, and the fact that Tourism had become the root of everything. He still hadn't reached that next level of understanding. So he lied, because that, too, was Tourism. "Ugrimov was a dead end. Had to expect a few."

  "And Ugritech?"

  "If someone's using his company to move money, he doesn't know about it."

  Einner frowned over this failure. "But at least we're in Geneva, am I right? And you've got the best guide you could hope for. We on for tonight?"

  "Sure," said Milo. "I'll need to catch a nap first."

  "Well, you're not a young man anymore."

  They reached the Beau-Rivage by four. Einner said that while Milo slept, he would get his own kind of rest at a whorehouse he never missed when visiting town. "Very classy place. Clean. They treat you right. Sure you don't want a pop?"

  Milo wished him happiness, picked up a complimentary Herald Tribune, and headed to the elevator. As he rose toward his room, he noticed at the bottom of the front page a photograph of a gentlelooking old man with a white comb-over and a soft smile. Datelined Frankfurt, it told of Herr Eduard Stillmann, ten-year board member of Deutsche Bank, found bludgeoned to death in his twentyeighth-floor office. Police had no leads as of yet. Milo knew, as he set the paper on his bed and began to undress, that they never would have any.

  During his Tourism days, sleep sometimes happened this way. He'd run into a wall of information, and it would exhaust him physically and mentally. Not even Tourists can make so many connections in a snap. It takes time and reflection, like art. Milo was no better than the average Tourist, and when he woke and showered and dressed that evening, his mind was still ruptured by too much knowledge.

  He wasn't even suspicious when Einner said, "I've got to head out in the morning.”

  “Oh?"

  "Call came. New pastures for this one. Think you can handle it on your own?"

  "I'll give it an honest try."

  He only lasted an hour at Platinum Glam Club, a throbbing pulse of slick nightclub on the Quai du Seujet, facing the Rhone where it flowed from Lake Geneva. Fifteen minutes in, he'd gone deaf from the techno music and the rich Swiss youth packed in around him, screaming to be heard. Lights flashed, lasers scribbled on the walls, and he soon lost track of Einner in the crowd that led to the dance floor. His entry fee entitled him to a free drink, but it was too much work trying to fight his way to the bar, where toned young men in spiky bleached hairdos flipped bottles to the agonizing rhythm of the music, as delivered by a certain DJ Jazzy Schwartz. He backed away, knocking into pretty girls with tall, multicolored drinks and short skirts who pretended he wasn't there, and tried to make it to the couches that lined the room. By the time he reached them, though, they were filled. He had no idea why he was here, so he worked his way to the entrance again.

  With the door in sight, a girl with black, straight bangs and a silver lame one-piece blocked his path, holding a tall mojito between her breasts. She had a big smile as she shouted something he couldn't hear. He fooled with his ear to show the problem, so she took his neck with her free hand and brought his ear to her mouth. "Want to dance?"

  He touched her bare, moist shoulder to show she shouldn't be offended, but he didn't want to dance.

  "Your friend says you do!" she growled, as if catching him in a lie.

  In answer to his expression, she pointed behind him. Over a field of well-coiffed heads, he saw Einner with another young girl-a blende as tall as him-bouncing on the dance floor, waving a thumbs-up at Milo.

  "He paid already!" the girl shouted.

  It took Milo a moment too long to get it-he was slow, after all-and he leaned down, gave her a kiss on the cheek, and said, "Another night."

  She caught him as he 'started to leave. "What about the money?"

  "Keep it."

  He broke loose and fought an incoming pack of young men in gray suits and ties and finally climbed the stairs to the cool street facing the Rhone. His ears hummed. The crowd out here was nearly as thick, a riot of revelers the four burly doormen had deemed unacceptable. Some, however, were content with the street, and they shared wine and beers and cigarettes on the curb. A drunk girl spun in the street as her girlfriends, clutching cans of Red Bull, laughed.

  A passing Mercedes honked at her until she happily jumped out of the way, and Milo began walking back to the hotel.

  He'd forgotten how empty all this made him feel. Einner was still young. For him, the cities of Europe were a wonderland of music, violence, and casual sex. It had been that way for Milo as well… until it wasn't. Until he realized that the cities of Europe were like one city, a city with plenty of potential, but without variety. He never stayed long enough to discover the nuances that made a place particular. For him, cities were all part of the bright lights of a Platonic "city"; the where made no difference.

  He rubbed his eyes and, at the lake now, crossed to the shoreline, the water black and almost invisible. It was all clear now, the fact he'd been unwilling to accept. Tripplehorn was one of Grainger's Tourists. Grainger had been controlling e
verything from the beginning.

  He picked up a bottle of Absolut from a convenience store, got his key from reception, and took the elevator again-he was getting sick of its elegant, mirrored interior-and undressed in his room. He considered finding a hotel computer to draft some kind of message to Tina. Just a word to say he was all right. But by now, he knew, the Company-or at least Janet Simmons-was watching both her e-mail accounts. So instead he poured a shot of vodka and drank it down.

  There was a slow, steady throb at the base of his neck that reminded him that his primary emotion was despair. You put a man on the run, take him from his family, and then show him that the one person he trusts has been using him, and the man starts to crumble-or the woman, as Angela proved back in 2001. The betrayal makes him desperate for something stable in all this, and the only thing that comes to him is his wife and daughter, who he cannot see, touch, or talk to. And without that family, it might as well be 2001 again, him standing on the edge of a Venetian canal contemplating suicide. Without his family, there was no reason not to jump.

  Despite these dismal thoughts, Milo only drank that one shot.

  He remembered Einner's change in orders and knew what he had to do next.

  James Einner didn't get back to the hotel until three. By then, Milo had jimmied the door between his room and Einner's, packed his knapsack and stuck it in the closet, checked on flight times using the hotel phone, and lay on his bed, but didn't sleep. He heard the Tourist come into the adjoining room, heard him stumble against something and curse, then head for the toilet. Milo slipped into the room with his roll of duct tape held behind his back. "Get laid?" he called.

  "What?" came Einner's surprised voice through the cracked bathroom door. "Oh. No. I thought you'd be asleep by now."

  "No," said Milo, settling casually on the foot of Einner's bed. He could do it now, while the man was on the toilet, but he liked Einner, and didn't want to humiliate him.

  "Hey," said the Tourist.

  "What?"

  "How'd you get in my room?" Shit.

  Milo walked swiftly to the door, pushed it open, then kicked at Einner's hand as it swung the little Makarova toward him. It went off-a loud crash in the small space, a bullet burying itself into the tiles above the tub-and as Einner began to stand, his pants still looped around his ankles, Milo brought his elbow down, hard, against the younger man's shoulder. It knocked him back onto the toilet. Milo raked the heel of his other hand up against Einner's chin, knocking the back of his head against the wall. The Makarova clattered to the floor.

  Milo knocked his head against the wall a second time, and Einner's red-veined eyes bulged as he opened his mouth, trying to speak, but Milo used his elbow again, once, against his trachea. Einner couldn't say a thing. Milo picked up the pistol.

  He knew he was hurting the Tourist, but he needed him stunned for a few minutes. He ripped the shower curtain down, rings popping off the rod, and spread it on the bedroom floor.

  When he returned, Einner was again struggling to get to his feet, gasping sickly.

  "Don't," Milo told him and showed off the gun. Einner seemed to calm down, knowing that he'd be dead already if that was the plan, but panicked again when Milo grabbed the pants crumpled around his feet and pulled him, with a thud, off the toilet and dragged him out of the bathroom. His arms nailed; he moaned; his shirt rolled up to his chest; and a putrid streak of brown marked his path.

  That, Milo thought with regret, is the most humiliating part. He pulled off a length of duct tape and bound Einner's wrists together in front of his stomach, then his feet.

  Heaving, he dragged Einner onto the shower curtain.

  "What," Einner managed.

  "Don't worry," Milo said calmly. He folded one side of the curtain over the front of Einner's body, one end covering his face. "What!"

  Milo folded back the corner, uncovering the face. Einner was completely red now. It was a primal reaction to the idea of being suffocated in plastic. "You're going to be fine," he said, looking for some way to reassure him as he folded the opposite side of the curtain over his body, so that he was wrapped up. He tore off a length of duct tape with his teeth. "Listen to me, James. I have to leave. But I have to make sure you're not on my tail. Because you're a good Tourist. I don't think I'd be able to shake you. So I have to incapacitate you for a while so I can run. Understand?"

  Einner, regulating his breaths, spoke through his damaged larynx. "I get it."

  "Good. I don't want to do this-you can believe it or not, whatever you want-but I can't afford to have you follow me."

  "What did Ugrimov tell you?" Einner managed.

  Milo almost told him, then realized he couldn't. "No, James. I don't want you reporting back to Fitzhugh. Not yet, at least."

  Einner blinked wet eyes at him.

  Milo placed the short length of tape over Einner's mouth. He got to his feet and used the rest of the roll around the outside of the curtain, from the shoulders to the feet, so that there would be nothing for Einner to pick at with his fingers. As he did this, he had to roll Einner's body a couple of times and lift his feet and shoulders. He tried to be gentle, but he knew there was nothing gentle about plastic and duct tape. And there was nothing gentle about the fact that he'd left the Tourist's pants down, the last of his shit staining the inside of the curtain and his thighs. Einner certainly wanted nothing better than to kill him.

  When he was finished, he rolled Einner beside the bed. The Tourist's eyes had cleared up, and above the gray tape they glared at him. Milo showed him the Makarova and put it in a dresser drawer, then pulled the mattress off the bed and set it at an angle, covering Einner and leaving him in a heavy darkness that would muffle any sounds he tried to make as he waited for the cleaning lady to arrive.

  In Einner's wallet, he found six hundred dollars' worth of Swiss francs, which he pocketed; he considered taking the keys to the car, but changed his mind. He shut the door without saying anything more, grabbed his knapsack, and left.

  At Geneva International, after watching his back through two taxi rides but finding no sign of shadows, he looked over the departures. He was just in time for the 7:30 a.m. Air France Flight 1243, which he bought with the Dolan credit card for nearly three thousand dollars. He jogged to the gate. During the hour-long layover in Charles de Gaulle he felt himself panicking again, looking out for swollen eyes. But Diane Morel wasn't waiting for him.

  Once on the next plane, he remembered one of Einner's aphorisms: "Tom calls me, and that's all I need to know. Tom is God when he's on that line."

  Tourists never question the why of their orders. God told Tripplehorn to follow Angela Yates around Paris, while Einner innocently took photographs of her. God told Tripplehorn to meet Colonel Yi Lien-for all Milo knew, he'd just asked the colonel for a cigarette. God told Tripplehorn to make a deal with an insidious Russian businessman and deliver monies for passage to various bank accounts; God told him to run a famous assassin and direct him at various people of interest. God told him to replace Angela's sleeping pills with barbiturates. God had even told Tripplehorn to set up a hidden needle in a Milan cafe chair, so that the Tiger, comforted by his faith in Christian Science, would slowly fade away instead of uncovering Tripplehorn's identity.

  Tripplehorn was not to blame for any of this. He was simply Job to Grainger's God, and God was the originator of everything.

  39

  He landed at JFK Monday afternoon all eyes. But after waiting in the interminable passport line that snaked around stanchions, reminding him of Disney World, Lionel Dolan crossed the border into the United States of America without trouble. He rented a Hertz Chevy from a stiff young man with pimples, and on the curb spun the car keys on a finger and watched travelers lean on oversized bags and discuss prices with New York-harried bus drivers. Taxis came and went. Police officers loaded down with radios and other equipment lurked in the corners. But no one, so far as he could tell, gave a damn about the twitchy man in his late thirties who kept rubbi
ng his jaw and looking around. He went to find his Chevy.

  Milo wanted to collect his things from Stinger Storage. That little garage held money, extra credit cards, old IDs, and a variety of useful weapons, just waiting for him. Instead, he drove north to 1-95, out of Long Island toward New Rochelle, then headed west toward Paterson. While that garage was full of promise, he had to assume it had been compromised. He was a fool, he now knew, and he'd probably made plenty of mistakes over the years. Now, no doubt, a few broad-shouldered Company men were there, one behind the payment counter, a few others sitting in black SUVs with the air conditioners running full blast.

  He drove quickly, but not in any visibly panicked way, knowing by the time he turned south again, parallel to Manhattan but inside New Jersey, that he only had an hour until Lake Hopatcong. Did Tom know he was coming? He probably suspected. Had Tom requested Company backup? At this point, Milo could admit to knowing nothing. All he could do was drive in such a way that the radar-toting Jersey cops wouldn't pull him over.

  Soon, mountains straddled the highway. It had always been a strange feeling, when he and Tina and Stephanie would head out for occasional weekends with the Graingers, to realize how much nature was so close to Manhattan. In the city, it seemed as if the entire world were made of concrete, steel, and glass. The sight of forests was a perpetual surprise. As he had six years ago, driving to Portoroz on the first stage of a journey that ended with Tina and Stephanie, he thought that maybe this was the only place to really know balance, in the mountains.

  No, he was too old to believe in the promise of new terrains. What he, as a Tourist, could not have known was that people are geography. Only people give character to nature. Wherever his family was, that was where he belonged.

  He and Tina and Stephanie used to drive this road to see both Tom and Terri, when she was still alive. Terri Grainger had been a schizophrenic entertainer, wanting one moment to invite the world into her house for feasts, drink, and good company, and other times wanting only solitude out here, solitude even from her husband. But when she was "on," she was one of the great hostesses, making Tina feel that, in their lakeside house, she could find a subtle replacement for the family in Texas she missed.